PETITE OVER 40・ PERSONAL ESSAYS ・SEATTLE
Writing that pays close attention
On small joys, overlooked beauty, and the life that unfolds when you slow down enough to notice it. A newsletter for women who are done rushing.
Letting Go of the Handrail
On a Seattle bus to improv school, I met a man wearing a crown of toilet paper, carrying a bag of beef jerky. Years later, I think about what he taught me about rejection, self-consciousness, and the freedom to offer the world your whole self.
What We're Reading (According to Each Other)
A book club's annual Recommended Reads roundup — 22 titles organized into four themes, with Goodreads links and a note on why each book made the list.
No Shadows Allowed
For 28 years I've illustrated patent applications for Fortune 50 companies. You've never seen my name. Here's what that work actually looks like.
Part IV: For 1956 and For Now
Sixty years after leaving Baltimore as a child, my mother finally met the siblings who had been standing on that sidewalk watching her go.
Part III: Where Home Is
On choosing forward without losing love. This essay is Part III of a short series about my mother’s adoption in 1956. The scenes are imagined, shaped by the stories she carried with her and shared with me over the years.
Part II: The Last Letter
In this imagined scene from my mother’s adoption, a young girl learns what it costs to belong when a letter home is quietly taken from her hands.
Part I: No One Said Goodbye
This is part of a short series about my mother’s adoption in 1956. The scenes are imagined, shaped by the stories she carried with her and shared with me over the years. Some names have been changed to protect privacy.
Soft Armor for Hard Days
A personal essay about dressing for comfort and care on migraine days, exploring how clothing choices can support the nervous system when no one else is watching.
Finding Warmth in Zurich’s Chocolate Labyrinth
I went wandering through Zurich’s old town in search of vegan chocolate. What I found instead was a moment of warmth tucked into a tiny shop and offered freely.
When Memory Becomes Light
Mrs. Bryan taught me to memorize paintings when I was ten. I didn’t know the map she was giving me that year would lead me, decades later, to the Rijksmuseum—and to a part of myself I had misplaced.